The worship of the Sacred
Bull was widespread in the ancient world. It is perhaps most familiar to
the Western world in the Biblical episode wherein an idol of the Golden Calf is
made by Aaron and worshipped by the Hebrews in the wilderness of Sinai (Exodus).
Young bulls were set as frontier markers at Tel Dan and at Bethel the frontiers
of the Kingdom of Israel. In other cultures, Marduk is the "bull of Utu"
and the Hindu God Shiva's steed is Nandi, the Bull.
Bull heads
excavated from Çatalhöyük in the Museum of Anatolian Civilizations in Ankara.
Aurochs are depicted in
many Paleolithic European cave paintings such as those found at Lascaux and
Livernon in France. Their life force may have been thought to have magical
qualities, for early carvings of the aurochs have also been found. The
impressive and dangerous aurochs survived into the Iron Age in Anatolia and the
Near East and was worshiped throughout that area as a sacred animal. The Sumerian
Epic of Gilgamesh depicts the killing of the Bull of Heaven, Gugalana,
husband of Ereshkigal, as an act of defiance of the gods.
From the earliest times,
the bull was lunar in Mesopotamia (its horns representing the crescent moon),
though we cannot recreate a specific context for the bull skulls with horns (bucrania)
preserved in an 8th millennium BCE sanctuary at Çatalhöyük in eastern Anatolia.
The sacred bull of the Hattians, whose elaborate standards were found at Alaca
Höyük alongside those of the sacred stag, survived in the Hurrian and Hittite
mythologies as Seri and Hurri ('Day' and 'Night' the bulls who carried the
weather god Teshub on their backs or in his chariot, and who grazed on the
ruins of cities.[1] In Cyprus, bull masks made from real
skulls were worn in rites. Bull-masked terracotta figurines[2]
and Neolithic bull-horned stone altars have been found in Cyprus.
In Egypt, the bull was
worshiped as Apis, the embodiment of Ptah and later of Osiris. A long series of
ritually perfect bulls were identified by the god's priests, housed in the
temple for their lifetime, then embalmed and encased in a giant sarcophagus. A
long sequence of monolithic stone sarcophagi were housed in the Serapeum, and
were rediscovered by Auguste Mariette at Saqqara in 1851. The bull was also
worshipped as Mnewer, the embodiment of Atum-Ra, in Heliopolis. Ka in
Egyptian is both a religious concept of life-force/power and the word for bull.
Walter Burkert summarized
modern revision of a too-facile and blurred identification of a god that was
identical to his sacrificial victim, which had created suggestive analogies
with the Christian Eucharist for an earlier generation of mythographers:
The concept of the theriomorphic god and
especially of the bull god, however, may all too easily efface the very
important distinctions between a god named, described, represented, and
worshipped in animal form, a real animal worshipped as a god, animal symbols
and animal maskes used in the cult, and finally the consecrated animal destined
for sacrifice. Animal worship of the kind found in the Egyptian Apis cult is
unknown in Greece. ("Greek
Religion," 1985).
When the heroes of the new Indo-European
culture arrived in the Aegean basin, they faced off with the ancient Sacred
Bull on many occasions, and always overcame it, in the form of the myths that
have survived. For the Greeks, the bull was strongly linked to the Bull of
Crete: Theseus of Athens had to capture the ancient sacred bull of Marathon
(the "Marathonian bull") before he faced the Bull-man, the Minotaur
(Greek for "Bull of Minos"), whom the Greeks imagined as a man
with the head of a bull at the center of the labyrinth. Earlier Minoan frescos
and ceramics depict bull-leaping rituals in which participants of both sexes
vaulted over bulls by grasping their horns. Yet Walter Burket's constant
warning is, "It is hazardous to project Greek tradition directly into
the Bronze age"[3]; only one Minoan image of a
bull-headed man has been found, a tiny seal currently held in the
Archaeological Museum of Chania.
In the Olympian cult, Hera's
epithet Bo-opis is usually translated "ox-eyed" Hera, but the
term could just as well apply if the goddess had the head of a cow, and thus
the epithet reveals the presence of an earlier, though not necessarily more
primitive, iconic view. Classical Greeks never otherwise referred to Hera
simply as the cow, though her priestess Io was so literally a heifer that she
was stung by a gadfly, and it was in the form of a heifer that Zeus coupled
with her. Zeus took over the earlier roles, and, in the form of a bull that
came forth from the sea, abducted the high-born Phoenician Europa and brought
her, significantly, to Crete.
Dionysus was another god of
resurrection who was strongly linked to the bull. In a cult hymn from Olympia,
at a festival for Hera, Dionysus is also invited to come as a bull, "with
bull-foot raging." "Quite frequently he is portrayed with bull
horns, and in Kyzikos he has a tauromorphic image," Walter Burkert
relates, and refers also to an archaic myth in which Dionysus is slaughtered as
a bull calf and impiously eaten by the Titans.[4]
In the Classical period of
Greece, the bull and other animals identified with deities were separated as
their agalma, a kind of heraldic show-piece that concretely signified
their numinous presence.
Alexander the Great's
famous horse was named Bucephalus ("ox-head"), linking the
self-proclaimed god-king with the mythical power of the bull.
The bull is one of the
animals associated with the late Hellenistic and Roman syncretic cult of Mithras,
in which the killing of the astral bull, the tauroctony, was as central
in the cult as the Crucifixion was to contemporary Christians. The tauroctony
was represented in every Mithraeum. An often-disputed suggestion connects
remnants of Mithraic ritual to the survival or rise of bullfighting in Iberia
and southern France, where the legend of Saint Saturninus (or Sernin) of
Toulouse and his protegé in Pamplona, Saint Fermin, at least, are inseparably
linked to bull-sacrifices by the vivid manner of their martryrdoms, set by
Christian hagiography in the 3rd century CE, which was also the century in
which Mithraism was most widely practiced.
Irish Gaelic myth features
the tales of the epic hero Cuchulainn, which were collected in the 7th century
CE "Book of the Dun Cow."
In some Christian
religions, Nativity scenes are assembled at Christmas time. Most of them show a
bull or an ox near baby Jesus, lying in a manger. Traditional songs of
Christmas often tell of the bull and the donkey warming the infant with their
breath.
The sacred bull survives in
the constellation Taurus.
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